Friday, March 24, 2017
"Unusual computer ad from Japan
Tuesday, March 14, 2017
1973 AT&T Film The Far Sound
Published on Feb 6, 2017
1973 AT&T Film The Far Sound
This Funky film, The Far Sound, examines how technologies invented at Bell Laboratories and developed by the Bell System contributed to making direct-dial, long-distance telephone service possible. It depicts how the various fields and departments at the Labs came together in this singular enterprise, culminating in common service for all. The film’s title, The Far Sound, is the alternate translation of the Greek “Telephone.”
1973, the year this film was made, was a very exciting time to be at Bell Labs. Telstar was under development. BellComm was about to be spun off, to work with NASA on the moon project. Technologies involving the transistor, laser, and the solar cell were underway. Scientists were just starting to explore what a computer was and what it might accomplish. In the middle of this wave of innovation was the Bell System’s core business—providing telephone service to almost the entire country.
A decade earlier, a few cities had been given direct dial long distance telephone service. Now, 10 years later, direct long distance was a novelty in some communities, while taken for granted in others. But this film showed how au-courant technologies at the time like the “electronic central office” (later to become the ESS), the optical MASER (aka laser), and satellites would later converge to form the modern telephone and data network.
This Funky film, The Far Sound, examines how technologies invented at Bell Laboratories and developed by the Bell System contributed to making direct-dial, long-distance telephone service possible. It depicts how the various fields and departments at the Labs came together in this singular enterprise, culminating in common service for all. The film’s title, The Far Sound, is the alternate translation of the Greek “Telephone.”
1973, the year this film was made, was a very exciting time to be at Bell Labs. Telstar was under development. BellComm was about to be spun off, to work with NASA on the moon project. Technologies involving the transistor, laser, and the solar cell were underway. Scientists were just starting to explore what a computer was and what it might accomplish. In the middle of this wave of innovation was the Bell System’s core business—providing telephone service to almost the entire country.
A decade earlier, a few cities had been given direct dial long distance telephone service. Now, 10 years later, direct long distance was a novelty in some communities, while taken for granted in others. But this film showed how au-courant technologies at the time like the “electronic central office” (later to become the ESS), the optical MASER (aka laser), and satellites would later converge to form the modern telephone and data network.
Saturday, March 11, 2017
The Story Behind Adobe Illustrator
The Story Behind Adobe Illustrator (Part 1 of 3) | Adobe Creative Cloud
Published on May 14, 2014
When Adobe Illustrator first shipped in 1987, the new product not only altered Adobe's course, it changed drawing and graphic design forever. See how Adobe Co-Founder John Warnock first conceived of Illustrator as a PostScript drawing tool and how PostScript's Bézier curves could be applied to the shapes illustrators painstakingly created by hand. This is Chapter 1 in a series of three videos on the story of Adobe Illustrator.
Producer/Director
Ami Capen
Executive Producers
Jeffrey Severtson
Terry Hemphill
Dan Cowles
Co-Director/Director of Photography
Christian Bruno
Editors
Ami Capen
Louanne Ponder
Associate Producer/Music Supervisor
Kristin Tieche
Post-Production Supervisor/Additional Editor
Christine Steele
Colorist
Chris Dunn
Sound Mix
Jeffrey Fuller at PLAY
Sound Recordists
Luis Granados
Lauretta Molitor
Gaffers
Andy Olson
K.C. Smith
Additional Camera
K.C. Smith
Motion Graphics
Jayson Tang
Designer
Andre Seibel
Opening Titles
Ben Child
Production Assistant
Joe Zolnoski
Transcriptions
Jenny Chu
Jamie Omar Yassin
Creative Consultants
Tony Coleman
K.C. Smith
Technical Consultants
Kathleen Dargis
Debra Schaffner
Erik Espera
Historical Research/Story Arc
The History Factory
Legal
Justine Jacob
Archival Video & Images:
Doug Menuez/Getty Images/Stanford University Libraries
Xerox Palo Alto Research Center
TIME Magazine
Norm Cox
jeffclaassen.com
Photos:
Bruce Damer/DigiBarn Computer Museum
Shayna Butler
Murray Elliot
Michael Evamy
Carl Johnson
Henning Krause
Sam Millen
Thomas Tieche
Raffi Kojian
Images:
"Venus"
Dylan Roscover
Music:
"Spring Duet For Piano And Cello"
Written by Tom Erba
Courtesy of 5 Alarm / Imagem Production Music
"Illustrator Beat" by Tony Coleman
"Tragic Overture"
Written by Johannes Brahms
Arranged by Keith Blainville
Courtesy of 5 Alarm / Imagem Production Music
"Canonised"
Written by David Treahearn
Arranged by David Treahearn and Robert Haggett Courtesy of 5 Alarm / Imagem Production Music
"Dawn"
Written by Iain Roberton
Courtesy of 5 Alarm / Imagem Production Music
Licensed under Creative Commons
"Backed Vibes" by Kevin MacLeod (incompetech.com)
"The Annual New England Xylophone Symposium"
by DoKashiteru (feat. spinning merkaba) (ccmixter.org)
"Pamgaea" by Kevin MacLeod (incompetech.com)
Subscribe: https://www.youtube.com/user/adobecre...
LET’S CONNECT
Facebook: http://facebook.com/adobecreativecloud
Twitter: http://twitter.com/creativecloud
Instagram: http://www.instagram.com/adobecreativ...
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
Producer/Director
Ami Capen
Executive Producers
Jeffrey Severtson
Terry Hemphill
Dan Cowles
Co-Director/Director of Photography
Christian Bruno
Editors
Ami Capen
Louanne Ponder
Associate Producer/Music Supervisor
Kristin Tieche
Post-Production Supervisor/Additional Editor
Christine Steele
Colorist
Chris Dunn
Sound Mix
Jeffrey Fuller at PLAY
Sound Recordists
Luis Granados
Lauretta Molitor
Gaffers
Andy Olson
K.C. Smith
Additional Camera
K.C. Smith
Motion Graphics
Jayson Tang
Designer
Andre Seibel
Opening Titles
Ben Child
Production Assistant
Joe Zolnoski
Transcriptions
Jenny Chu
Jamie Omar Yassin
Creative Consultants
Tony Coleman
K.C. Smith
Technical Consultants
Kathleen Dargis
Debra Schaffner
Erik Espera
Historical Research/Story Arc
The History Factory
Legal
Justine Jacob
Archival Video & Images:
Doug Menuez/Getty Images/Stanford University Libraries
Xerox Palo Alto Research Center
TIME Magazine
Norm Cox
jeffclaassen.com
Photos:
Bruce Damer/DigiBarn Computer Museum
Shayna Butler
Murray Elliot
Michael Evamy
Carl Johnson
Henning Krause
Sam Millen
Thomas Tieche
Raffi Kojian
Images:
"Venus"
Dylan Roscover
Music:
"Spring Duet For Piano And Cello"
Written by Tom Erba
Courtesy of 5 Alarm / Imagem Production Music
"Illustrator Beat" by Tony Coleman
"Tragic Overture"
Written by Johannes Brahms
Arranged by Keith Blainville
Courtesy of 5 Alarm / Imagem Production Music
"Canonised"
Written by David Treahearn
Arranged by David Treahearn and Robert Haggett Courtesy of 5 Alarm / Imagem Production Music
"Dawn"
Written by Iain Roberton
Courtesy of 5 Alarm / Imagem Production Music
Licensed under Creative Commons
"Backed Vibes" by Kevin MacLeod (incompetech.com)
"The Annual New England Xylophone Symposium"
by DoKashiteru (feat. spinning merkaba) (ccmixter.org)
"Pamgaea" by Kevin MacLeod (incompetech.com)
Subscribe: https://www.youtube.com/user/adobecre...
LET’S CONNECT
Facebook: http://facebook.com/adobecreativecloud
Twitter: http://twitter.com/creativecloud
Instagram: http://www.instagram.com/adobecreativ...
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
Monday, March 6, 2017
Introducing Handle
Published on Feb 27, 2017
Handle is a research robot that stands 6.5 ft tall, travels at 9 mph and jumps 4 feet vertically. It uses electric power to operate both electric and hydraulic actuators, with a range of about 15 miles on one battery charge. Handle uses many of the same dynamics, balance and mobile manipulation principles found in the quadruped and biped robots we build, but with only about 10 actuated joints, it is significantly less complex. Wheels are efficient on flat surfaces while legs can go almost anywhere: by combining wheels and legs Handle can have the best of both worlds.
Radio Shack Tandy Computer Commercial (1991)
Published on Feb 26, 2017
1991 Radio Shack commercial for the Tandy 2500 SX/20 386 and the Tandy 1000 TL/3 286 computers.
Subscribe to:
Posts (Atom)